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Steve

If you don’t like the culture, make your own…

Steve · January 30, 2010 · 2 Comments

Me, emceeing a house concert, photo by Fred Volkmann

I awoke this morning with this thought swimming through my head. It’s not my original thought and I don’t know who said it first, but it’s an appropriate one for this weekend. Here’s why.

Tomorrow night is the Grammy Awards — that annual celebration that has become unequal parts glitter, popular taste and, and to some extent anyway, excellence in the musical arts. I grew up watching the show, dreaming someday that I might own my own little golden gramophone. Hasn’t happened yet.

[Read more…] about If you don’t like the culture, make your own…

In the Beginning

Steve · January 22, 2010 · 1 Comment

Sunrise in Mexico, 2009. Photo by Steve Givens

We all have our ideas of how the world came into being. I like to think God was having a good time when that first light was cast…


The idea was at once captivating and ludicrous.

And as he grew more excited
his enthusiasm made him smile.
A huge sheepish grin spread across his aged face
and somewhere deep in his gut
there began a gentle rumble.

The laughter welled up inside him
and he hissed and sputtered
like a child at church
who doesn’t want to laugh but can think of nothing else.

Finally
knowing he could postpone the moment no longer
he stood
placed his hands on his hips
took a deep breath of his good air
and then the laughter and words poured forth
like a river bursting its banks
spreading quickly over the darkness:

Let there be light.


The play of Mexican light. Photo by Steve Givens, 2009

My Soundtrack: Seize the Day

Steve · January 11, 2010 · 2 Comments

[an occasional series of essays about life, spirit, and the music that makes up the soundtrack of my life]

The Power of a Song, photo by Steve Givens, Nicaragua, 2009.

Seize the day, seize whatever you can
‘Cause life slips away just like hourglass sand.
Seize the day, pray for grace from God’s hand.
Then nothing will stand in your way…seize the day.

–singer-songwriter Carolyn Arends

The Latin phrase carpe diem, perhaps made most famous during modern times in the movie “Dead Poet’s Society,” has been around much longer, dating back to a poem by Horace (65 BC – 8 BC).  It is usually expressed in English as “seize the day,” although its literal translation is perhaps closer to “pluck the day” or “pick the day,” as in gathering flowers.  A nice image.

Some choose “carpe diem” as a life philosophy and live the proverbial “eat, drink and be merry for tomorrow we die,” which indeed appears to perhaps be Horace’s original meaning. In the name of this carpe diem some get in touch with the darkest part of themselves, engaging in often self-destructive behavior.  But there’s more to carpe diem than this. There’s more than one way to seize the day.

Take, for example, the characters who reside within Carolyn Arends‘ song, “Seize the Day,” who live their lives by seizing all that God is offering them. They live day to day by seizing the opportunities to do creative and charitable things. One person writes poems and novels; one works in an African clinic and “writes home to the cynics”; another is an older man, an alcoholic, who laments that he never learned what it truly means to seize day and now fears that it’s too late. Finally, there is Arends herself, who triumphantly announces that, throughout her travels as a performer, she has noticed: “Everyone’s got a dream they can follow or squander/You can do what you will with the days you are given/I’m trying to spend mine on the business of living.”

About a year after being diagnosed with my rare blood disease, I was given the opportunity to accompany my church’s youth group on a service trip to Nicaragua through an organization called “Amigos for Christ” that helps builds houses and entire communities for the poor of one of Latin America’s poorest countries. I knew we were only going for a week and I knew we wouldn’t change the world much for the people of the villages where we worked in the northern part of the country. But what I didn’t know was that – working in the shadow of mountains and volcanoes that loom so large over these villages — I would learn so clearly about the courage and fortitude of a community of people who have been dealt a pretty raw deal in life. I learned that they cared about many of the same things that any of us care about and that, when it comes right down to it, we all need food, warmth, friends and a place to call home.

I also learned that I was no longer strong enough to carry a 90-pound bag of cement very far and that I didn’t have the same amount of energy for digging ditches and lugging buckets of concrete and gravel that others had. I learned that there are wonderful young people who gladly stepped forward to take my spot on some of the tougher chores and that a ten-year-old boy from the village could shovel and carry faster than I could.

I learned that I could play with a young orphaned boy with cerebral palsy and get absolutely nothing – not even a smile – in return. I learned that I could read Spanish well enough to entertain a group of kids, even if part of the entertainment, I figured out, was them laughing at my poor Spanish skills. I learned that we could play games without having to have a winner and that people have immense pride in a home that they helped build, even if that home was smaller and simpler than my garage.

So I may not have changed their world in a meaningful way, but I know that together we made a difference and I know I changed my own life and way of thinking about the world. I know the village is just that much closer to having a new school because 40 of us worked for a week lifting and pouring and carrying. I know I made a difference because some kids in a small village in Nicaragua now believe there are people in the United States who know about them and can call them by name. I know I made a difference because I dared to take a risk and change my own world by moving outside my comfort zone.

In the end, it doesn’t matter what we do, how much we give or how far we travel to do it. What matters is that we give of ourselves whether we’re a healthy and strong 20-year-old or a 50-year-old with a rare blood disease who receives chemotherapy every three weeks.

I may be able to go back next year or I may not. That doesn’t matter. I’ve learned to seize the day like a child who picks a flower for no other reason than its beauty. We can change the world. We can help a child. We can help build a village or raise our own kids and teach them well. We can write a song or a poem or a novel.  We can fight our demons, our fears and our addictions. And there’s no reason to wait. As Anne Frank once wrote, “How wonderful it is that nobody need wait a single moment before starting to improve the world.”

Don’t wait a single moment. Find your place. Focus on your strengths instead of your weaknesses. Do what you can instead of wallowing in what you cannot. Respond to the call to serve. Seize the day.

Me and mi amigo, Nicaragua, 2009.

My Soundtrack: Bright Eyes

Steve · January 4, 2010 · 4 Comments

[an occasional series of essays about life, spirit, and the music that makes up the soundtrack of my life]

Bright Eyes in Nicaragua. Photo by Steve Givens, 2009

Bright eyes, burning like fire.
Bright eyes, how can you close and fail?
How can the light that burned so brightly
Suddenly burn so pale?
Bright eyes.

—Mike Batt, recorded by Art Garfunkel

Not long ago on an oldies station, I once again heard this beautiful ballad, which was originally written by British songwriter Mike Batt and recorded by Art Garfunkel for the 1978 animated movie, “Watership Down,” the movie that taught us all how incredibly brutal cute little bunny rabbits can be to each other. If you have no idea what I’m talking about, go rent the movie or, better yet, go read Richard Adams’ novel upon which the movie was based. Good stuff. Not really for kids.

Anyway…short story very long…the song just got me thinking about what it means to be kind and supportive to one another (unlike the bunnies) and how important it is to have bright eyes. Follow me…

Novelist Toni Morrison (“Beloved,” “Song of Solomon,” “Jazz”) was once asked how she became a great writer. She responded, “I am a great writer because when I was a little girl and walked into a room where my father was sitting, his eyes would light up. That is why I am a great writer.”

Are you with me? People become great—they have the confidence to do great things—because they know they are loved and accepted by the people that mean the most to them. We can see it in their eyes. What a great lesson in parenting and friendship.

There is perhaps no greater gift that we can give our children and our friends than our attention and our joy at seeing them and relishing in their dreams and achievements. They need to see our eyes sparkle when they enter a room. We enable and encourage others to seek after greatness by letting them know that we believe they can accomplish whatever it is they hold to be important. Never underestimate the power you possess to help others by just valuing them.

So smile at someone you love and cherish today. Let them know by your words and your bright eyes that you honor and value them. Ask them about their life, their dreams, and their plans for the future. Let them talk. Don’t talk about yourself (I always need to remember that…) And smile — bright-eyed and burning like fire. There’s just not enough of that going around.

"An Encouraging Glance," in Villa Catalina, Nicaragua. Photo by Steve Givens, 2009.

A Light in Darkness (A Christmas villanelle)

Steve · December 23, 2009 · 3 Comments

Merry Christmas from me, Sue and Santa.

Here’s a villanelle I wrote a few years ago to celebrate the joy and the promise of Christmas. It appears as a spoken-word poem with original music by Phil Cooper on Nathanael’s Creed’s new Christmas CD, “Home Again with You.”

Merry Christmas…

A light in darkness fights off the cold
thrust into the world yet of its own making.
The new life is fragile but the message is bold.

A gentle king, as the prophets foretold,
stirs in the straw and yawns in his waking.
A light in darkness fights off the cold.

A star from the East beckons prophecies old,
the expanse between heaven and Earth is breaking.
The new life is fragile but the message is bold.

In this child a mystery will unfold,
for wise men there is no mistaking.
A light in darkness fights off the cold.

The angels proclaim what shepherds behold,
for this night the whole world is aching.
The new life is fragile but the message is bold.

A gift from on high more precious than gold,
a life that brings life for the taking.
A light in darkness fights off the cold,
the new life is fragile but the message is bold.

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About the Author

Steve Givens is a retreat and spiritual director and a widely published writer on issues of faith and spirituality. He is also a musician, composer and singer who lives in St. Louis, Mo., with his wife, Sue. They have two grown and married children and five grandchildren.

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