Life and Death on Display: Midwinter at the Missouri Botanical Garden

The iconic Climatron and its reflecting pools. Opened in 1960, the Climatron was the first geodesic dome to be used as a plant conservatory. It was built following the principles of R. Buckminster Fuller, inventor of the geodesic system and has no interior support and no columns from floor to ceiling. It rises to 70 feet in the center, spans 175 feet in diameter at the base, has 1.3 million cubic feet, and encloses approximately 24,000 square feet, according to the Garden’s website. SJG photo.

“When one tugs at a single thing in nature, he finds it attached to the rest of the world.”  – John Muir

As I write this, St. Louis is in the midst of a winter snowfall that could leave somewhere between 6-12 inches of snow on the ground. It’s beautiful and all that, but I’m not amused.

Just a week ago, I spent several hours of an unseasonably warm day walking the grounds of one of our region’s storied treasures — the Missouri Botanical Garden, better and forever known to long-time St. Louisans as Shaw’s Garden. Named for the merchant and botanical enthusiast Henry Shaw, an Englishman who came to St. Louis in 1819 as an 18-year-old in search of customers for his hardware and cutlery business on the edge of the American wilderness, the “Garden” is today world renowned for its botanical richness and beauty, its architecture and the botanical knowledge its scientists continue to uncover on the grounds and at sites throughout the world.

At their most mundane, in my humble opinion, botanical gardens can be merely sculptured collections of rare and exotic plants that only the very wealthy or the very talented could ever dream cultivate. Shaw had other ideas. At their very best, they are inspiring places that showcase the continuing natural (and beautiful) cycles of life and death, regardless of the colors of our thumbs. Even (or perhaps especially) in the depths of winter those cycles of ascetic wonder continue to be on display if we take the time to look.

Obviously, this is not prime time for the Garden. The flower beds lie barren, its famous water lilies absent. Its educational vegetable gardens await the planting of spring, the flowering of summer and the harvest of fall. The crowds are mostly at home watching football. And yet, Saturday’s warm weather brought out many like me, happy to see the sun and take a walk within the hopefulness that is a garden in winter.

Below are a few photos from my clockwise stroll through Shaw’s gift to St. Louis, beginning at “6 o’clock” at the visitors center and the Linnean House and continuing around the dial to the reflecting pools in front of the Climatron, the austere winter beauty of the Japanese Garden, the simple and inspirational Carver Garden, and back around to the front via the miracle of the Climatron, a modern structure that has captured my imagination since childhood. Enjoy or, better yet, go visit yourself. Click on the photos to see larger versions.

An orange grows in the Linnean House. Built in 1882 and named for Swedish botanist Carl Linnaeus, creator of the binomial system of naming plants and animals, the Garden’s Linnean House is the oldest continually operated greenhouse west of the Mississippi. It was built as an orangery to overwinter citrus trees. SJG photo.
Huddled Together. “Four Seasons,” by Marie Carr Taylor. SJG photo.
Tall prairie grass. Wish I knew more details. Will update when I can. SJG photo.
A thistle with a guest. SJG photo.
Drum Bridge, or Taikobashi, in the Garden’s popular and tranquil Japanese Garden or Seiwa-en ("Garden of pure, clear harmony and peace"). Dedicated in 1977, the 14-acre garden is one of the largest such gardens in North America, representing “a multiplicity of distinctly Japanese cultural influences.” SJG photo.
Zig-zag bridge, or Yatsuhashi, in the Japanese Garden, a name meaning “eight bridges.” SJG photo.
The Carver Garden, designed for quiet contemplation, honors former slave and agricultural scientist, botanist and inventor George Washington Carver, who developed hundreds of products using peanuts, although not peanut butter, evidently. The garden includes a number of inspirational inscriptions from Carver's writings, including: “How far you go in life depends on your being tender with the young, compassionate with the aged, sympathetic with the striving and tolerant of the weak and strong. Because someday in your life you will have been all of these.” SJG photo.
The focal point of the Carver Garden is a life-size bronze of Carver at about age 65, by acclaimed African-American sculptor Tina Allen. He stands holding a small plant to the sunlight. Carver once said: "No individual has any right to come into the world and go out of it without leaving behind him distinct and legitimate reasons for having passed through it." SJG photo.
Inside the Climatron, the delicate beauty of the “Powderpuff Tree” of South America, Calliandra haematocephala Fabaceae. SJG photo.

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